It could be a Hegelian thing.

I expected to read this article on the decline of contemporary praise and worship with a certain level of amusement and agreement.  Radio-style praise and worship, especially over the last 20 years has been terribly full of fluff, and the sooner done with it we are, the better.  However, I found the article to be singularly unhelpful.  Our options aren’t hymns or performance-oriented radio fluff.

I’m a huge fan of hymns. But the great musical innovation of the last century is syncopation, and that is something that has to affect our church music like it affects everything else.  The problem with most classic hymns (the best ones – I’m discounting the truly dreadful stuff) is that the meter overwhelmed the lyrics.  Even at the time they were written, nobody ever talked that way.  But nobody seemed to know  how to put together a song that flowed like a person actually talking, let alone appropriately moved by the words they were saying.

That’s the gap that CWM filled: simple songs with simple truths that sound like an actual person talking.  And modern hymnodists have taken the hint.  How Deep the Father’s Love sounds nothing like O For a Thousand Tongues.  I doubt that any new song can be completely devoid of syncopation ever again.  Why would it?

I’ll confess that CWM has been declining for the last 20 years at least.  It had to – it was being canned for people to put on the radio, and radio just isn’t a good medium for music intended for congregational singing.  But there’s an iceberg of modern worship music that never made it to the radio, dating back at least to 1900.  There’s good stuff in there, none of it hymns, and lots of it at least as durable.  Is that stuff declining too?  Or is congregational worship music simply maturing?

Author: KB French

Formerly many things, including theology student, mime, jr. high Latin teacher, and Army logistics officer. Currently in the National Guard, and employed as a civilian... somewhere

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